GRACE ANDERSEN
author



Les Petits Rats — a novel 
(Mock Cover)
Grace Andersen
unpublished

Camille Carter thought ballet was everything—until her best friend sabotaged her debut and disappeared without a trace. Now, at an elite conservatory where patrons wield power and silence is mandatory, she must confront a crime, a cover-up, and an impossible choice between her career and her conscience.



Query
LES PETITS RATS, an upmarket fiction novel, is complete at 85,000 words. Blending academia, culty girlhood, and artist obsession, this work may appeal to fans of Sirens & Muses by Antonia Angress and Voice Like a Hyacinth by Mallory Pearson.

Once regarded as prodigious, twenty-year-old ballerina Camille Carter has spent the past year unraveling after her best friend, Lila, sabotaged her career-making, debut performance then disappeared without a trace. Weeks before this year’s Gala, a sudden casting crisis hands Camille—who’s secretly desperate for a new beginning—a second chance at the spotlight. Out of form and estranged from her peers, she must decide whether to seize the role that could salvage her career—or walk away from the world she has already sacrificed everything to enter.

Set in present-day New York City, Capitol Interdisciplinary Performing Arts Academy is an elite, patron-funded conservatory housing one hundred of the country’s most promising young artists—talent cultivated for the stage and for those who bankroll it. Behind closed doors, students endure demanding rehearsals, private patron meetings disguised as mentorship, relentless press scrutiny, and a culture that rewards silence as much as talent. As rumors about Lila’s disappearance begin to resurface, Camille starts to suspect it wasn’t just a breakdown or a runaway act—but the result of a crime the institution worked quickly to bury.

When Camille returns to the stage, the administration corners her with a binding contract that promises sponsorship, coveted roles, and industry placement—an offer that doubles as a threat of being blacklisted if she refuses. Meanwhile, the students are plotting rebellion: they will secretly rewrite the Gala’s choreography to expose the patrons’ corruption and the institution’s hidden abuses. If their plan succeeds, they could reveal the truth of the academy—but it could also mean public disgrace, expulsion, or worse. Camille must decide whether to join them and risk everything she’s worked for—or protect her future and remain complicit in the system that drove her best friend to ruin.

LES PETITS RATS is monikered by the nickname given to the exploited young ballerinas in Degas’ paintings of the Paris Opera House. At Capitol, Camille and her peers confront a modern version of the same economy: grueling expectations, blurred boundaries, and exploitation disguised as prestige.



Comps literature

Sirens & Muses  Antonia Angress

Worry  Alexandra Tanner

Never Let Me Go  Kazuo Ishiguro

Bunny  Mona Awad

They’re Going To Love You  Meg Howrey



film + tv

Black Swan   Darren Aronofsky

Whiplash   Damien Chazelle 

Suspiria   Luca Guadagnino

Moulin Rouge   Baz Luhrmann

Dance Moms   C.A. Productions



Synopsis
Full synopsis available upon request.



















DegasThe Dance Class
Edgar Degas
1874

LES PETITS RATS is monikered by the nickname given to the exploited young ballerinas of Degas’ 1870’s paintings of the Paris Opera House. 

“Many of these ballerinas-in-training, derisively called “petits rats,” came from working-class or impoverished backgrounds. They often joined the ballet to support their families, working grueling, six-day weeks… The dancers were expected to submit to the affections of subscribers. Such relationships could offer lifelines for the impoverished dancers; not only did these aristocrats and financiers hold powerful positions in society, their patronage underwrote the opera’s operations entirely.”
-Julia Fiore, Artsy


Tropes


girlhood
girl friendship
obsessed artist
bad habits
forced proximity
antiestablishment
coming-of-age
perfectionism
mildly dystopian 
elite institution
lgbtq+


Weird Girl Fiction


This work is inspired by and aspires to be
shelved beside 
the likes of Mona Awad, Ottessa Moshfegh, Melissa Broder, Coco Mellors, Eliza Clark, etc.





GRACE ANDERSEN
grace.andersennn@gmail.com

Grace received a creative writing degree that emphasized fiction, poetry and women’s studies. She manages a weekly writing workshop with six talented writers and hosts bi-annual open mic events. She spent three years as the head of marketing for a local bookstore before stepping down to pursue writing full-time.

As a writer, her long-term goal is to build a body of work that examines art, selfhood and connection in a commodified age— stories that are culturally engaged and emotionally resonant. She aims to write fiction that interrogates contemporary systems—art, power, and technology— while remaining intimate, character-driven and accessible.





works

     falling asleep first
creative writing zine, 2026

feral
        poetry chapbook, 2025

        girl love
        poem, Now is the Time of Monsters Publication, 2025

        viscera
         novel, 2024, unpublished

       the american conscience
       
poetry and prose chapbook, 2020
 
       peach pits & the black abyss 
        poetry chapbook, 2018 
    
        the social disconnect; how social media is distorting your reality
        essay, killer and a sweet thang magazine, 2017

       cyclical
        poetry chapbook, 2017


© Grace Andersen 2026